I especially liked the sound of the preamp circuit.
SPre is a simple filter/preamp combo that does its job very well. This is the only way to adjust the amount of analog saturation that is applied to the signal. The Mix knob blends the signal passing through SPre’s built-in preamp with the clean signal. The mixer section is where you’ll find the Mix knob and the output volume control. Pushing this knob to the right will engage the filter envelope. The filter’s behavior can be adjusted using the Mode knob. The filter module provides direct control over the cutoff frequency and the Q factor, along with the attack and release time parameters for the dynamics section. The filter module is positioned on the left, and the mixer section is on the right. SPre’s user interface is organized into two sections. It only emulates the preamp character and dynamic character of the original hardware. As for the SPre plugin, there is no bit depth reduction happening under the hood. People often describe the sonic character of old 12-bit samplers as warm and crunchy. The lower bit depth degrades the audio quality, but it also makes the samples sound more interesting.
One of the secrets behind the SP-12’s signature sound is that it is, in fact, a 12-bit sampler.
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